Showing posts with label Joan Bolker. Show all posts
Showing posts with label Joan Bolker. Show all posts

Monday, October 3, 2016

Writing Advice from an Editor to an Intern


By Kate Phillips



          I didn’t set out to become an editor. I wanted to be a successful writer working from home. I became both after years of writing then taking a writing class where I met the woman who just bought one of the magazines I now write for and edit.

I started out as an unpaid intern for the magazines. I wrote articles as well as learned about copyediting (turning press releases and items sent in by the public about meetings and events into style copy for the magazine issue), layouts (placing headlines, bylines, copy, ads, pull quotes, photos, and captions on each page), proofreading (using the correct proofreaders’ marks), and all the little things to check in an effort to publish an almost perfect issue (something always goes wrong).

A few years later, I became the editor of one then two magazines—a job I love.

Now I’m working with an intern who wants to be a writer and an editor. I’m happy to share my knowledge and experience with her; however, writing skills are more straightforward to teach than editing skills. My writing advice is posted now. My advice for editing will be posted on October 17, 2016.

Here is my writing advice:                                                                        
                             

To be a better writer, write. It’s just that simple. There is never enough time to write. You must make the time to write. Get up early. Stay up late. Write anytime you are waiting for someone or something. Writers write! Jot down thoughts and sentence fragments, plots, and ideas in a notebook or record on phone. 

If you want to be a professional writer, learn to write on demand, not wait for inspiration, by writing to deadlines. Filling a notebook a month as recommended by Natalie Goldberg in Writing Down the Bones is a great way to start. Write a concise weekly blog—300-500 words—without fail. Write three pages every morning as recommended by Julia Cameron in The Artist’s Way. If really short on time, write Six-Word Memoirs®. (See books by the same title or visit Smith Magazine online.)

Take writing classes or join a writing group. Deadlines and feedback are essential.


“It is easy to lose sight of the fact that writers do not write to impart knowledge to others, rather, they write to inform themselves.”   –Judith Guest


Choose a magazine you enjoy reading. Write an article following its style (topic, word count, tone, etc.). Write about what you love. Learn from the best as you can interview experts or participants in whatever topics interest you. Write your first drafts without thought to the word count. Then rewrite your articles repeatedly. Final articles should be your best work including all the points you wanted to make as well as meeting the word counts. Submit articles for publication.


“Don't market yourself. Editors and readers don't know what they want until they see it. Scratch what itches. Write what you need to write, feed the hunger for meaning in your life.”     –Donald M. Murray


Write with abandon then rewrite by writing concisely.


“Nothing you write, if you hope to be any good, will ever come out as you first hope.”   –William Hellman


For reference: on average, I spend 35-40% of my time writing and 60-65% rewriting pieces for publication. I rewrite my articles five, six, ten times until I’m satisfied it’s the best I can do. Read pieces aloud to catch mistakes.


“Writing is really rewriting—making the story better, clearer, truer.” –Robert Lipsyte


“Look for verbs of muscle, adjectives of exactitude.”  --Mary Oliver in Blue Pastures on page 89.


Meet all deadlines, no matter what, as professional writers and editors won’t work for long if they don’t.

Also, read everything. A better reader is a better writer.

Read writing books. I have recommended many on this blog (see partial list at end of this post), especially The War of Art by Steven Pressfield.

All knowledge makes you a better writer (and editor). I read all genres as good writers make any genre or topic interesting. I also read books about philosophy, science, space, and art as well as classic novels and bestsellers.


“You learn to write by reading and writing, writing and reading. As a craft, it's acquired through the apprentice system, but you choose your own teachers. Sometimes they're alive, sometimes they're dead.”  –Margaret Atwood


Read often and widely including poetry to get a feel for words, language, flow, and rhythm.

Poetry is essential. Ray Bradbury makes this recommendation to writers on page 36 of Zen in the Art of Writing:


Read poetry every day of your life…it flexes muscles you don’t use often enough…it expands the senses and keeps them in prime condition.


Reading expands your vocabulary, too. Look up every word new-to-you for future reference. Write these words and definitions in your notebooks so you remember them.

Make sure the words you use (or edit) mean what you think they mean otherwise you look foolish. Once in print, it is out there forever so take the time to refer to a dictionary, RefDesk.com, or the Oxford American Writer’s Thesaurus. Use correct punctuation and grammar, too.  

For writers (and editors), words are our medium. Spend as much time as possible reading and writing.


“…writing is finally sitting alone in a room and wrenching it out of yourself, and nobody can teach you that.”       –Jon Winokur



Writing Book Recommendations: 

(I have reviewed most of these books on this blog. Dates of posts are in parentheses.)

The War of Art by Steven Pressfield  (8/30/12)

Turning Pro by Steven Pressfield  (9/9/13)

Writing Down the Bones by Natalie Goldberg  (5/6/13; 1/12/14)

The Right to Write and The Writer’s Life by Julia Cameron  (5/6/13; 1/12/14)

Invisible Ink by Brian McDonald  (6/26/16)

The Golden Rule by Brian McDonald  (7/25/16)

The Elements of Eloquence: Secrets of the Perfect Turn of Phrase by Mark Forsyth  (2/23/15)

The Writer’s Home Companion edited by Joan Bolker, Ed. D.  (12/3/12)

Blue Pastures by Mary Oliver  (3/21/16; 4/4/16)

Zen and the Art of Writing by Ray Bradbury  (3/9/15)

For Writer’s Only by Sophy Burnham  (12/17/12)

The Writing Life by Ellen Gilchrist  (7/21/14)

Tiny Beautiful Things by Cheryl Strayed, author of Wild (1/28/13)    

Year of Yes by Shonda Rhimes  (1/11/16)

Telling Lies for Fun and Profit: A Manual for Fiction Writers by Lawrence Block (will be reviewed)

The Book on Writing by Paula LaRocque (will be reviewed)

The Modern Library Writer’s Workshop by Stephen Koch  (8/5/13)

Bird by Bird by Anne Lamott (5/6/13)

A Writer’s Paris: A Guided Journey for the Creative Soul by Eric Maisel  (5/25/15)

Fiction Writing Master Class by William Cane (9/7/15)

The Soul of Creative Writing by Richard Goodman 10/19/15)

Backpack Literature by XJ Kennedy and Dana Gioia (4th post each month, September 2016-April 2017)

On Writing by Stephen King—needs no review

Write Within Yourself: An Author’s Companion by William Kenower  (8/8/16)

The Writing Trade by John Jerome (1/14/13)



Poetry:

Mary Oliver  (4/28/14) I read all her books.

Billy Collins  (4/22/13) I read all his books.

Anthologies & classic poetry



Knowledge:

A Natural History of the Senses by Diane Ackerman. (5/27/13) I recommend all of her books.

At Home by Bill Bryson. I read all his books.  (12/24/12; 1/26/15)

Books by Joseph Campbell & The Art of Reflection: A Joseph Campbell Companion by Diane K. Osbon



Memoirs:

Handling the Truth: On the Writing of Memoir by Beth Kephart  (8/26/13)

Let’s Take the Long Way Home by Gail Caldwell  (9/29/14)

On Conan Doyle by Michael Dirda  (11/23/15)

Six-Word Memoirs edited by Larry Smith  (9/10/12)



Essays:

Ex Libris: Confessions of a Common Reader by Anne Fadiman (11/26/12)

This is the Story of a Happy Marriage by Ann Patchett (5/26/14) Title of an essay, not subject of book.

High Tide in Tucson by Barbara Kingsolver (7/22/13)

A Cup of Comfort for Writers edited by Colleen Sell  (5/11/15)



Screenplays:

Screenplay by Robin Russin and William Missouri Downs  (8/10/15)

On Story: Screenwriters and Their Craft edited by Barbara Morgan and Maya Perez  (6/6/16)



Reference:

Oxford American Writer’s Thesaurus (6/9/14)

The Synonym Finder by J I Rodale  (6/9/14)

Grammar and punctuation books



Online:   

Are You There Blog? It’s Me Writer by Kristen Lamb, award-winning blog warriorwriters.wordpress.com.

Steven Pressfield, blog Writing Wednesdays at www.stevenpressfield.com.


Monday, May 19, 2014

My Writer's Survival Kits




By Kate Phillips

        I never leave home without my basic writer's survival kit—at least one book, a pen, and a notebook.

In my purse, I carry at all times a pocket-sized version of The Writer's Life: Insights from the Right to Write by Julia Cameron, 6" x 4", and Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg, 4.5" x 3", along with a pen and small notepad so I can write anywhere, anytime I have a few moments whether waiting for someone in a restaurant, before a movie, or at a dentist's office.

        Watching people in these places is a great way to capture details to use later describing characters. Overheard conversations can lead to plot twists or essays. However, if I'm not inspired by my location, I randomly open either of these pocket-sized books, read a page or two, grab my pen, and start scribbling down thoughts.

        In my car, I keep pens, a full-sized notebook, and two books—The War of Art: Break Through Your Blocks and Win Your Inner Creative Battles by Steven Pressfield and Ex Libris: Confessions of a Common Reader by Anne Fadiman—in case I don't bring my purse with me and find myself with time on my hands. This happens once or twice a week.

        If I know I am going to have time to write, I bring my lovely black damask-print tote bag always stocked with half a dozen pens, a full-sized notebook, and The War of Art by Steven Pressfield as it never fails to motivate me so I always want it nearby. I then add whatever book(s) I am currently reading. These books are as essential as the pens and notebook because reading sparks my writing. I don't have time to wait for my muse. I meet her on the pages of my notebook.

Frankly, there is never enough time to write. These small pockets of time and my writing kits are what make my writing life possible on busy days.

        I wish more writing books were offered in pocket-sized versions. My top choice would be, not surprisingly, The War of Art. Other books would include: The Writer's Home Companion edited by Joan Bolker, Ed.D., For Writer's Only by Sophy Burnham, Zen and the Art of Writing by Ray Bradbury, and Telling Lies for Fun and Profit by Lawrence Block. I could go on, but these would make a great start.

        If they were pocket-sized, I would always have my favorite writing books with me—a portable cheering section supporting me as I write every chance I get!

           

Wednesday, January 30, 2013

The Writer's Home Companion edited by Joan Bolker, Ed. D.


By Kate Phillips   

 
            There are authors we recognize as kindred spirits. We have all their books on our shelves, piled on tables, chairs, even the floor, or on our E-Readers. We buy their latest books sight unseen, reviews unread. They just belong to us.
 
            On Charlie Rose, author Nicole Krauss described other writers as either "of or not of her tribe". In The Writer's Home Companion, Ruth Whitman describes kindred authors as "the company I want to keep". Whatever we label it, some authors just speak to us.
 
 
As a writer, there are many books I consider company I want to keep including The Writer's Home Companion edited by Joan Bolker, Ed. D. This book is a gem, a compilation of almost thirty writers sharing their thoughts and experiences about their profession which will appeal to many other writers.
 
The book has two parts:
 
Part I: The Writing Process
 
                        Preparation
                        Beginning
                        Revision
                        Poetry
 
Part II: Becoming a Writer
 
                        Voice
                        Audience
                        Practice
 
Three to eight writers address each topic. While I found something of interest in every essay, sometimes almost every word in a piece spoke to me.
 
In the Preparation section, Donald M. Murray shares, "Write what you need to write, feed the hunger for meaning in your life. Play at the serious questions of life and death. Cultivate the silence when writing speaks…If you let the writing—or the line or tune or dance—flow, you will be carried where you never expected to go…"
 
In the Beginning section, Patricia Cumming, a published poet, lists over 200 writing prompts and creative activities she invented to get any writer started. Also, B. F. Skinner shares that Stendhal once remarked, "If when I was young I had been willing to talk about wanting to be a writer, some sensible person might have said to me: 'Write for two hours every day, genius or not.' That would have saved ten years of my life, stupidly wasted in waiting to become a genius."
 
In the Poetry section, which I almost skipped as I am not a poet, Rita Dove writes: "How restless and curious the human mind is, how quick the imagination latches onto a picture, scene, something volatile and querulous and filled with living, mutable tissue!…Every discipline craves imagination, and you owe it to yourself to keep yours alive."
 
A reprint of Helen Bendict's essay "A Writer's First Readers" in the Audience section quotes other writers. Cynthia Ozick shares, "There's nobody, really, to trust outside the critic within you."…Yet making the choice to rely only on an inner critic takes tremendous faith. John Irving believes that having it is the mark of a mature writer.
 
In the Practice section, Joan Bolker writes: "But I began to see that if I was going to be a real writer than writing had to become, with very few exceptions, the most important thing in my life."
 
Writers of every genre have knowledge to share. Don't limit your horizons. Read. Learn from as many as possible—and keep writing!