Short Edition: Vending Machines for Literature

By Kate Phillips 

          On the July 10th on the CBS Sunday Morning show during “The Man in Paris” segment, reporter David Turecamo discussed vending machines for literature spread around Grenoble, France. Patrons can choose free stories that take one, three, or five minutes to read while they are waiting in line. The machines choose the stories randomly based only on the chosen time frame then print them out on long, narrow rolls of paper.

When the inventors of the Short Edition vending machines showed the mayor a prototype, he had the first one placed in Grenoble’s Town Hall. Now there are eight machines in municipal buildings around the city including the Tourist Information Office.

Since word has spread about these machines, the inventors are receiving requests to place them all over the world. Short Edition has ordered 45 machines to start meeting the demand. Hopefully, there will be one near each of us eventually.

In the five years since Short Edition began, there are now 10,000 contributing authors and about 150,000 regular readers. The best of the stories are published in a Short Edition book each year.

This is great news for writers who want to contribute their work and for anyone stuck in a line without something to read.

For more information, visit the CBS Sunday Morning web site or, if you can read French, short-edition.com.

Nobody Wants to Read Your Sh*t: Why That Is And What You Can Do About It by Steven Pressfield

By Kate Phillips

Normally this week’s post would be an essay on writing, but I just finished Nobody Wants to Read Your Sh*t: Why That Is And What You Can Do About It by Steven Pressfield. It’s a perfect companion to last week’s writing book recommendation Invisible Ink by Brian McDonald.

I’ve been a fan of Steven Pressfield since I read The War of Art: Break Through the Blocks and Win Your Inner Creative Battles. I reviewed it on this blog in my first post. It’s the book that turned me into a professional writer. Do yourself a favor and read it, then reread it.

In Nobody Wants to Read Your Sh*t, Pressfield recounts how he became a writer as well as sharing all the truths he learned about writing along the way. Like McDonald in Invisible Ink, Pressfield uses movies and TV shows to illustrate his points—showing, not just telling—because using a story structure works for any genre that you want to appeal to an audience.

                    Why?

Because a story (whether it’s a movie, a play, a novel, or a piece of nonfiction) is experienced by the reader on the level of the soul. And the soul has a universal structure of narrative receptors…

The soul judges a story’s truth by how closely it comports to the narrative templates that are a part of our psyche from birth… (pp. 63-64)

          For his screenplays, Pressfield recommends: Start with an Inciting Incident, deal with the villain, then transformation of the hero completes the story.

How can you tell when you’ve got a good Inciting Incident? When the movie’s climax is embedded in within it. (page 75). Followed by chapters: “The Second Act Belongs to the Villain” (pp. 76-77) and “Every Character Must Represent Something Greater Than Himself” (pp.78-79) to set the story. Chapters “Write for a Star” (pp. 94-95); “The All is Lost Moment” (page 104); and “Give Your Villain a Brilliant Speech” (pp. 108-109) round out your work.

          Pressfield discusses his “overnight success” when he publishes his first novel at the age of fifty-one on pp. 120-121. Here he lists nine storytelling secrets followed by a list of ten skills he learned in twenty-seven years of writing.

          His chapter “Fiction is Truth” on page 122 is essential reading as are “Narrative Device” on pp. 124-125 and “Novels are Dangerous” on pp. 128-129.

          From fiction, Pressfield moves to nonfiction in “A Non-Story is a Story” including a list of eight universal principles of storytelling (pp 148-149) and to self-help in “Flashback: Narrative Device in The War of Art” (172-173) and “Flashback: Hero and Villain in The War of Art” on page 174 to reveal how many of the same principles apply.

In The Artist’s Calling section, I loved “There is a Muse” on page 181 and “The Artist’s Skill” on page 184.

I also read and love Steven Pressfield’s blog, Writing Wednesdays, too.

I just started reading Brian McDonald’s blog, Ink Spots—also the title of another of his books.

Invisible Ink by Brian McDonald

By Kate Phillips

         

In his book Invisible Ink: A Practical Guide to Building Stories That Resonate, Brian McDonald shares brilliant insights about writing using well-known movie screenplays as well as novels as examples. Once you become aware of “invisible ink”, you will see it wherever it appears. If you truly take in what McDonald reveals, your writing will take on new dimensions.

McDonald discusses “visible ink”—dialogue and language—readily seen by the reader or viewer versus “invisible ink”—how events are ordered, what events occur, how characters behave—not easily spotted by readers, viewers, and listeners. (page 2)

The greatest truth in this book: Invisible ink is the writing below the surface of the words. Most people will never see or notice it, but they will feel it. If you learn to use it, your work will feel polished, professional, and it will have a profound impact on your audience. (page 3) What more does any writer want than to make a profound impact on his or her audience?

McDonald writes in a simple straightforward style. Don’t make the mistake of thinking you already know what he is talking about. He has spent years studying “invisible ink” so follow his instructions to find it by re-watching movies, reading screenplays, or rereading novels. Simple does not mean easy. His advice is worth the effort.

Here are a few of McDonald’s examples:

In Finding Nemo, the father desperately tries to keep his son safe by never letting him out of his sight…What happens? His son is taken away…This is his personal hell.

This is one of the ways to apply invisible ink to your work, but it will yield powerful results…Find the thing your character would rather die than do and make them do it. (page 60)                                        

Because the scene with Don Corleone and Bonasera is the first scene in the film [section of The Godfather screenplay is included in book], it becomes invisible ink. The audience has no idea that this scene will help them understand the rest of the film. Like all forms of invisible ink, it works on a subconscious level. (pp. 64-65)

You want to see truth in fiction? Watch Jimmy Stewart’s breakdown in It’s a Wonderful Life, just before he decides to kill himself. It’s about as real and truthful as anything you will ever see on film. Capra is known for being lighthearted, but when he got dark, he always told the truth. If you want to affect people deeply, tell the truth. (page 76)

          Here are a few of McDonald’s insights:

Writers with the least experience and skill think that the more complicated something is, the better. But…their work comes off clumsy and unfocused. If you want to come off like a mature writer, be precise. (page 21)

The worst of us has good in him and the best of us has some bad. That is a truth that many of us want to deny, but as storytellers it is the truth we must illuminate.

The truth will always be sadder, happier, funnier, scarier, and more profound than the best lie. More importantly, the audience never “sees” it, but does feel it. (page 78)

Invisible ink is all about communicating with your audience clearly and getting it to feel and think what it needs to so it will experience your story. (page 116)

          I highly recommend this book to all writers! Also read Brian McDonald's Ink Spots, his blog as well as a book.

Howards End is on the Landing: A Year of Reading From Home by Susan Hill

By Kate Phillips

          Readers always have books they haven’t read nearby whether in stacks by the bed or on bookshelves for someday. If you have new ones entering your life via the library, friends, or bookstores, some day can quickly become some year.

          English novelist Susan Hill certainly found this to be true.

“It began like this. I went to the shelves on the landing to look for a book I knew was there. It was not. But plenty of others were and among them I noticed at least a dozen I realized I had never read.

I pursued the elusive book through several rooms and did not find it…But each time I did find at least a dozen, perhaps two dozen, perhaps two hundred, that I had never read.” (page 1)

          She also found many books she would enjoy rereading and so began a journey through her own library which she turned into a book entitled Howards End is on the Landing: A Year of Reading From Home.

          As a lifelong reader in her sixties, an author, a reviewer, and a judge for literary awards, Hill has a great many books so it’s easy to imagine that one or more could be misplaced. What fun to come across so many unread books and old favorites then decide to read or reread as many as she could in one year and write about them. Another of the joys of this book is the commentary from Hill as she recalls meeting authors at parties or while interviewing them for the BBC.

          Hill is partial to classics and literary novels, but has a fondness for murder mysteries and a few children’s books, too. Among them, she recommends My Family and Other Animals by Gerald Durrell (page 55), The Blue Flower by Penelope Fitzgerald (page 74), The Bell by Iris Murdoch (page 115), and The House in Paris by Elizabeth Bowen (page 141).

          She also enjoys diaries written by The Reverend Francis Kilvert (page 83), Virginia Woolf’s A Writer’s Diary (page 92 & 128), and The Journal of Sir Walter Scott (page 93).

          For a challenge, Susan Hill ends with a list of forty books that would last her the rest of her years on earth (pp. 235-236). Taking up the challenge, I made my list of one hundred books as I am younger with more years to read—hopefully. It’s a painful challenge as I sit surrounded by thousands of books that I love.

We only had one book in common: Shakespeare. I went with Shakespeare’s complete works as they are published in one volume. Hill chose to pick “Macbeth” since his work was not published together until after his death. However, I’m currently reading The Blue Flower since she recommended it so highly—perhaps we will have two books in common.

Have fun reading Howards End is on the Landing, discovering authors new to you, and making your own list of books to last for the rest of your life.

On Story: Screenwriters and Their Craft edited by Barbara Morgan and Maya Perez

By Kate Phillips 

          I’m always on the lookout for TV shows about writers and authors. PBS has a show entitled On Story based on the Austin Film Festival. Various hosts interview mostly screenwriters who either wrote original works or adopted them from books. Even if you are not writing a screenplay, hearing writers discuss their work is inspiring.

          On Story: Screenwriters and Their Craft, edited by Barbara Morgan and Maya Perez, is a book based on these interviews. A wide array of writers, many of them award winning or Academy nominated, give good advice.

Here are a few excerpts:

…To me, the life of writing is the life of nurturing your own enthusiasm, your own passion for writing. You’ve got to nurture it…

        --Randall Wallace (page 24)

        Credits include: Secretariat, Braveheart

…Screenwriting is much more like writing poetry—the real juice is not in the lines but the space between the lines. If the lines are done right, the audience makes the jumps. If you tell them everything, they’re just observers. If you do it right, they’re participants. That’s what you want. That’s what all great art does…

     --Bill Wittliff (page 28)

    Credits include: Legends of the Fall, Lonesome Dove

         

…What I learned was about 70% of my first drafts were awful, but there was 30% that was better stuff than I ever would’ve gotten on paper if I was limiting myself because of fear of what people might think. I’d urge young writers, first write for the content of your heart. Don’t worry about what other people might think. Just cut loose…Find a way to get it on paper…

                           --Bill Wittliff (page 32)

                           More credits: The Perfect Storm, The Black Stallion

Conflict was the major thing. I used to have this huge sign over my typewriter that said, “Conflict, Stupid.” Nine times out of ten if you’ve got a scene that’s not working for some reason, the characters are not in conflict. They’re just giving out information. They’re wandering around and not going anywhere.

    --Nicholas Kazan (page 67)

    Credits include: Bicentennial Man, Reversal of Fortune

I can’t remember who said—it may have been Hitchcock—that books are written from the beginning to the end, and screenplays should be written from end to the beginning. The ending of a movie is crucial…I think the ending is so important that if you don’t know the ending when you start, you shouldn’t do it.

            --Steven Zaillian (page 163)

            Credits include: Awakenings, Schindler’s List

Helpful advice for almost any writing project you are working on.

My Bookstore: Writers Celebrate Their Favorite Places to Browse, Read, and Shop edited by Ronald Rice

By Kate Phillips

          For readers and writers planning summer vacations, check out My Bookstore: Writers Celebrate Their Favorite Places to Browse, Read, and Shop, edited by Ronald Rice and Booksellers Across America, published in 2012). There are eighty-one independent bookstores in thirty-six states to choose from as an added bonus to or as the main purpose of any trip.

          After reading the fantastic tributes by writers like Isabel Allende, Wendell Berry, Meg Waite Clayton, Fannie Flagg, Henry Louis Gates, Jr., Pete Hamill, Ann Hood, Mameve Medwed, Ann Patchett, Chuck Palahniuk, Michael Tisserand, Luis Alberto Urrea, Abraham Verghese, Terry Tempest Williams, and Simon Winchester, not surprisingly, I want to visit all of the bookstores. Luckily, two are within an hour of my home. On the next trip to see my dad, we will visit the one within an hour of his home.

Then I will branch out with friends and other family members in tow. I think we could visit maybe ten or twelve more in daylong trips from their homes—only one or two a day so we have plenty of time to browse, read, and shop once we arrive. That is the point after all.

All of these tributes mention the importance of the book-loving owners and knowledgeable staff. Beautifully summed up by Ann Haywood Leal in her tribute starting on page 201: “Finding a book a home in someone’s heart is a talent. They may not know it, but…the staff of Bank Square Books [Mystic, Connecticut] are in the business of matchmaking.”

Some excerpts from the tributes:

The floors have to creak, of course. There should be a bit of a chill inside—not dank, or damp, but enough to bring on thoughts of curling up somewhere with one of the bound companions. If the table displays, favorite picks, and the like have a quirky randomness to them, in defiance of the latest imperatives from publishers, all the better…

All of this you take for granted at The Elliot Bay Book Company in Seattle.

                                                Timothy Egan (page 88)

At Watchung Booksellers [in Montclair, New Jersey] there’s a daily rhythm to the life of books. Kids are running around—a bookstore like this is where kids are first brought into the wider world of reading—and there are the sounds of conversations about books, and the humming quiet of the browsers, and the crisp tearing and folding of gift-wrap paper at the counter, and it smells like books, with that fresh, subtly seductive smell. Independent bookstores such as Margot’s [owner] collaborate with writing in such an intimate way that makes cyber bookselling seem merely retail.

                                      Ian Frazier (page 119)

…The event is an author series called Book Your Lunch, and it’s the brainchild of bookseller Jill Hendrix, owner of Fiction Addiction an independent bricks-and-mortar bookstore in my hometown of Greenville, South Carolina. Book Your Lunch is a fantastic way to bring readers and a wide range of authors together—from mystery writers, to award-winning novelists, to non-fiction and cookbook authors. Fiction Addiction sells tickets in advance, and the featured author reads from her work, or gives a short talk, followed by a Q&A session, a delicious lunch, and then an on-site book signing.

                                                          Mindy Friddle (page 121)

Some of the writers of the eighty-two tributes may not be familiar to readers. All of the essays end with writer bios, listings of their books/works, and/or website addresses. (While 84 writers wrote tributes, two were collaborations and The Strand in New York City received two tributes so in total eighty-one bookstores are celebrated.)

As if dream bookstores and writers new and familiar to readers weren’t enough to delight readers of this book, within the essays many of the writers mention their favorite authors.

What more could a reader ask for? Well, I do wish the bookstores’ addresses, phone numbers, and websites were listed at the end of the essays or in the Bookstores by Location index on pages 375-378. Not hard to find online, but still it would have been better in the book.

Whether you are traveling or not this summer, My Bookstore is plain fun--fabulous destinations and numerous book suggestions for readers. It’s almost as good as visiting one of these treasured bookstores!

                     

The Book Lover's Anthology: A Compendium of Writing about Books, Readers & Libraries

By Kate Phillips 

          My book recommendation this week is The Book Lover’s Anthology: A Compendium of Writing about Books, Readers & Libraries published by Bodleian Library. It’s not a book you read straight through, but one you pick up when you only have a few minutes to read or just feel like browsing.

There are inspiring quotes, passages, and poems about: The Friendship of Books; Old and New Books; Good Books and Bad; The Joys of Reading; A Sentimental Education; Bibliophilia; Literary Worlds; and The Library.

          Among my favorite passages are:

           Rich Fare

…There are other evils, great and small, in this world…Of these, Providence has allotted me a full share; but still, paradoxical as it may sound, my burden has been greatly lightened by a load of books.

Thomas Hood, letter to the Manchester Athenaeum (page 29)

          Books are men of higher stature,

          And the only men that speak aloud for future times to hear.

                   Elizabeth Barrett Browning, Lady Geraldine’s Courtship

                  (page 35)

                  

Love and the Library

          I do not know that I am happiest when alone; but this I am

          sure of, that I am never long even in the society of her I love

          without a yearning for the company of my lamp and my

          utterly confused and tumbled-over  library.      

                    George Gordon, Lord Byron (page 182)

          I would rather be a poor man in a garret with plenty of books

          than a king who did not love reading.

                   Thomas Macaulay (page 210)

          Enjoy discovering your favorite passages!