The Big Magic: Creative Living Beyond Fear by Elizabeth Gilbert

By Kate Phillips

          In The Big Magic: Creative Living Beyond Fear, Elizabeth Gilbert writes about courage, enchantment, permission, persistence, trust, and divinity. Under these categories, she shares her own stories as well as stories told to her by friends and strangers. One of my favorites is about a costume party that could have gone badly awry, but courage and trust saved the evening. (“Walk Proudly” on page 260.)

          I saw Gilbert discussing this book on Well Read on PBS. During the interview, Gilbert was funny, warm, and encouraging anyone who wanted to live a creative life to live one. She states: I’m talking about living a life that is driven more strongly by curiosity than fear. (page 9)

          Gilbert who travels the world, speaks in front of crowds, and publishes books about her life, discusses how many fears she had while growing up—some legitimate and some hilarious—and how she decided to get over many of them thanks to her parents and the examples they set.

          She gives us words of wisdom like:

“…you have treasures hidden within you—extraordinary treasures—and so do I, and so does everyone around us. And bringing these treasures to light takes work and faith and focus and courage and hours of devotion, and the clock is ticking, and the world is spinning, and we simply do not have time anymore to think so small.” (page 27)

“You can measure your worth by your dedication to your path, not by your success or failures. You can battle your demons…instead of battling your gifts… You can believe that you are neither a slave to inspiration nor its master, but something far more interesting—its partner…” (page 41)

          I love Gilbert’s theory of ideas showcased in “How Ideas Work” on page 34, “An Idea Goes Away” on page 47 and “The Tiger’s Tale” on page 64. Her advice on finding ideas: “…Trust in the miraculous truth that new and marvelous ideas are looking for human collaborators every single day…Let them know you are available.” (page 49)

          She tells an enchanted tale of friendship with author Ann Patchett starting with “Wizardry” on page 49 through “Multiple Discovery” on page 61. It will amaze you.

          The Big Magic is not just for writers. It’s meant for anyone who wants to be creative, to follow their gifts, to find joy in their work and life.

“An Amplified Existence” on page 9 tells the story of a woman who loved ice skating as a girl, but gave it up when she wasn’t talented enough to be a champion. At 40, she took up skating again. “It was a revolution. A literal revolution, as she spun to life again on the ice.” (page 11)

“And while paths and outcomes of creative living will vary wildly from person to person, I can guarantee you this: A creative life is an amplified life. It’s a bigger life, a happier life, an expanded life, and a hell of a lot more interesting life. Living in this manner—continually and stubbornly bringing forth the jewels that are hidden within you—is a fine art, in and of itself.” (page 12)

Any creative person will find The Big Magic a tour de force.

Year of Yes by Shonda Rhimes

By Kate Phillips

 

          How many of us say yes to every invitation and opportunity that scares us? Being writers—often introverts who need solitude to read, think, and work—I’m guessing very few of us. So who knows where the roads not taken would have led us?

          Shonda Rhimes knows the answer. After almost a decade of saying no, she chose yes as her word of the year in 2014. She said yes to every opportunity and invitation that scared her. As the creator, writer, and/or producer of Grey’s Anatomy, Scandal, Private Practice, and How to Get Away with Murder, many, many opportunities and invitations that scared her came her way.

          In her book Year of Yes: How to Dance It Out, Stand in the Sun and Be Your Own Person, Rhimes shares her journeys behind the scenes and in the spotlight as she welcomed opportunities and faced her fears. The worst things she worried about never happened (passing out and fear snot among many others) while the best things she never considered happened (joy, new friends, playing more often, and losing over 100 pounds).

          Her words of hard won wisdom resonate:

 

Dreams are lovely. But they are just dreams. Fleeting, ephemeral. Pretty. But dreams do not come true just because you dream them. It’s hard work that makes things happen. It’s hard work that creates change. (page 78)

 

                   “The rule is: there are no rules.

Happiness comes from living as you need to, as you want to. As your inner voice tells you to. Happiness comes from being who you actually are instead of who you think you are supposed to be.” (page 286)

 

Her feelings are real and relatable when faced with scary situations like appearing on Jimmy Kimmel’s show live:

 

“You can die from the hiccups. For real. I’m a fake doctor who writes fake medicine for TV. So I know stuff. And I’m telling you, we killed Meredith’s stepmother with hiccups and that could happen to me. I could laugh until I hiccup and hiccup and die.” (page 48)

 

 “…I am afraid I may accidentally Janet Jackson Boob Jimmy. Or pee on his sofa like an excited puppy. Or fall on my face before I even make it to the sofa. Or die. I don’t say anything about any of that.

Because I’m a lady, damn it.” (page 50)

 

Her experiences are varied: sometimes funny, and sometimes, as her young daughter Emerson says, mazing. Her take on motherhood and how it evolved during this year is also shared. If you want to know more, say yes and read this book.

Yes is a powerful word. Rhimes’ life was transformed inside and out simply by saying yes.

Reading this book might make you choose yes as your word of 2015.

Rhimes also writes about writing in this book. And about her TV shows. And the actors on them. Who her hero is and why. It’s a book worth saying yes to for so many reasons.

 

 

Me, My Hair, and I: Twenty-seven Women Untangle an Obsession edited by Elizabeth Benedict

By Kate Phillips

 

The essays in Me, My Hair, and I: Twenty-seven Women Untangle an Obsession edited by Elizabeth Benedict address not only straight and curly, long and short, gray or colored hair, but the cultural and political mores that pressure women to make sometimes uncomfortable choices.

These essays from different points of view are eye-opening. The writers’ descriptions, emotions, and voices are real and universal and passionate.

 

I loved Maria Hinojosa’s essay “My Wild Hair” on page131 which is as much about her hair as a love story.

“…I let it be as wild, long, and curly as it is.

And yes, I do this for love. Because I love myself more like this and because this way I show my husband my love, not in words or deeds, but in hair.” (page 138)

 

“Why Mothers and Daughters Tangle Over Hair” by Deborah Tannen on page 105 is a funny tribute to all the “helpful” comments from moms whether their daughters’ hair is on display or hidden under a head scarf.

 

Serious topics are covered as well:

 

Baldness due to cancer is addressed on page 9 in “Hair, Interrupted” by Suleika Jaouad. “Chemotherapy is a take-no-prisoners stylist.” (page 13)

 

On page 19, “My Black Hair” by Marita Golden reveals the pain and struggle Black women deal with when making hairstyle choices as “hair is knotted and gnarled by issues of race, politics, history, and pride.”

 

A religious tradition of shaving a bride’s head the morning after the wedding is the focus of Deborah Feldman’s essay “The Cutoff” on page 147. “And yet, my shaved head did not buy me full acceptance either, although it purchased a kind of tolerance that, for a while, seemed like it would be enough.” (page 152)

 

“While it’s easy to make light of our obsession with our hair, very few of the writers in these pages do that. We get that hair is serious. It’s our glory, our nemesis, our history, our sexuality, our religion, our vanity, our joy, and our morality.” (Introduction, page xvii)

Women’s hair means much more than it appears.

 

The Sweet Smell of Christmas by Patricia Scarry

By Kate Phillips

           If you celebrate Christmas, what comes to mind when you read that word? Christmas trees? Fresh wreaths? Cookies for Santa? Candy canes? Not just the seasonal objects, but delicious aromas as well.

          As a writer, I learned the aroma lesson early. On Christmas day when I was six, my one-year-younger sister received a book gift entitled The Sweet Smell of Christmas by Patricia Scarry and illustrated by J. P. Miller. Included in the story of Little Bear waiting for Christmas are six pages with scratch and sniff fragrance labels.

The text and illustrations depict a cozy, old-fashioned home where the Bear family prepares for the holiday on Christmas Eve. Little Bear starts the story with: “Something wonderful is going to happen…My nose tells me so.” Each reader’s nose does, too.

I borrowed that book without permission quite often. I just loved the combination of words and aromas. Father Bear and Little Bear went in search of a Christmas tree and I could smell the pine branches. Mother Bear baked a pie and I could smell the apples. I also loved that there was an orange in Little Bear’s stocking as we always had one in the toes of ours. However, the hot chocolate shared with the carolers was my favorite scent.

Aromas bring readers deeper into anything they are reading. That’s why it’s important to be specific—not just flowers, but roses; not just dinner, but roasted turkey with cornbread stuffing; not just dessert, but chocolate cake. Readers will add the thick swirls of frosting covering two layers on their own.

Aromas made this book truly memorable. They can make your writing memorable as well by simply adding “invisible scratch and sniff labels” whenever possible—a terrific writing tool.

  

 

2015 Gifts for Writers

By Kate Phillips

 

          If you’re looking for some gift suggestions for writers you know or for yourself, here are some of my favorites:

 

The Writer’s Book of Inspiration: Quotes on Writing and the Literary Life selected and edited by Stephanie Gunning

This book of 270 quotes is elegant. Each page contains only one quote in larger print—suitable for framing if you make copies. It’s easy on the eyes while reading straight through or flipping open to random pages. Two examples:

 

 

“I love writing. I love the swirl

and swing of words as they tangle with

human emotions.”

--James A. Michener

 

 

“Concentrate on what you want to say

to yourself and your friends. Follow your

inner moonlight; don’t hide the madness.

You say what you want to say when you

don’t care who’s listening.”

--Allen Ginsberg

 

 

If you are looking for wise words from a favorite writer, there is an alphabetical listing of all contributors on pages 280-287.

 

 

Women Who Write by Stefan Bollmann

          In this beautiful oversized book printed and bound in Italy, read about dozens of famous and not-so-famous women who changed cultures and history with their books, letters, and essays. On the glossy pages, each author has her likeness in a painting or photograph followed by one to three pages about her work and background. Photos of handwriting, homes, and offices are also interspersed in the book.

          Bollmann’s accompanying text covers the difficulties and successes of being a woman writer back when it wasn’t accepted through to today.

          “In a certain sense, [this] book…is a gallery and a refuge, made up of stories of women whose urge to be writers drove them to opt for a dangerous life.” (page 41)

          Starting with Hildegard of Bingen, 1098-1179, Christine de Pisan, 1364-1430, and Madeleine de Scudery (1607-1701), to Toni Morrison, Assia Djebar, Isabel Allende, and Arundhati Roy, Bollman discusses women writers’ lives and their works.

           Many of the women wrote serious books and pieces like Simone de Beauvoir and Marguerite Duras, but woman who wrote about characters that became world-famous like Heidi by Johanna Spyri and Pippi Longstocking by Astrid Lindgren are given their due as well.

          This is an inspirational book for all women who write.

 

Screenplay: Writing the Picture by Robin U. Russin and William Missouri Downs.

Both graduates of UCLA School of Film and Television who wrote every day and eventually sold screenplays, their book is a truly useful and often funny guide that gives you the basics, excellent advice as well as stating mistakes to avoid. The authors give examples of sceenplays, formats, and discuss line by line what should be there and why. They give terrific explanations of what works and what doesn’t. Then they share what readers for production companies are looking for as they read screenplays.

This book is well organized and easy to read. At the end of each chapter are exercises that get you writing the screenplay you’ve dreamed about in the correct format. Russin and Downs cover every genre with their suggestions. They presume you have a story in mind so they want to help you polish it as well as look professional when you send your screenplays out.

 

 

2016 Writer’s Market

A perennial choice both for the listings of periodicals and book publishers as well as the helpful articles that make the business side of writing easier.

Is this the year you submit a piece—or more—for publication?

 

On Conan Doyle by Michael Dirda

By Kate Phillips 
 

 

          On Conan Doyle by Michael Dirda is a two-fer as both Sir Arthur Conan Doyle and Michael Dirda provide Masterclasses. Dirda’s memoir, from his first reading of a Sherlock Holmes mystery as a fifth grader through to his present day membership in The Baker Street Irregulars, is full of the passion all avid readers feel about literary characters they love.

          Dirda recounts how he waited for a stormy day when he was alone in the house to read The Hound of the Baskervilles he bought through a book club at school. First he rode his bike to the store to buy provisions—candy bars, a box of Cracker Jack, and a cold soda—then climbed into a reclining chair under a blanket.

          “In the louring darkness I turned page after page, more than a little scared, gradually learning the origin of the dreaded curse…I shivered with fearful pleasure, scrunched further down under my thick blanket, and took another bite of my Baby Ruth candy bar, as happy as I will ever be.” (page 6)

          Can’t we all relate to that moment?

          This memoir is filled with the joy of reading, of discovering literary greatness, and of learning about other authors with the same feelings paying homage to Conan Doyle with their books like The Incredible Schlock Homes and its sequels by Robert L. Fish, full of puns and deliberately bad jokes, or The Private Life of Sherlock Holmes by Vincent Starrett, a most important study of the canon. A great number of these books are discussed in the text and a list is included in the back on pp. 203-206.

          Dirda also quotes Conan Doyle’s advice for novice writers:

          “…he reminds the novice to build up his vocabulary, to adopt a style that doesn’t draw undue attention to itself, to be natural. Above all, he argues that good writing should follow three rules: ‘The first requisite is to be intelligible. The second is to be interesting. The third is to be clever.’” (page 98)

          This is a fabulous book for anyone who loves Sherlock Holmes, Sir Arthur Conan Doyle, or great writing.

          As Dirda states, “Whether you’re looking for mystery or horror, science fiction or romance, social realism or historical fiction, memoir or essay, Arthur Conan Doyle is the writer for you.” (page 199)

Is there a better recommendation than that?

 

 

Longhand vs Keyboard and Taking Natalie Goldberg's Advice

By Kate Phillips 

Somewhere long ago I heard someone say the physical act of continuous motion of your pen on paper connects your brain to your heart through your fingertips. You plug in your intuition. So, I write by hand every day. I doodle. I keep lists of ideas, which become a crazy haiku that I can sometimes decipher.

--Suzi Baum

For it would seem…that we write, not with the fingers, but with the whole person. The nerve which controls the pen winds itself about every fiber of our being, threads the heart, pierces the liver.

 --Virginia Woolf

Writing by hand is also like…"sculpting words with a pen".

I read that phrase recently, but couldn’t find it again so I don’t know who wrote it. Normally I underline phrases, sentences, or passages I like in books or copy them into my notebooks or common books, but this time I only remember reading it so I apologize for having no attribution, but the phrase is so true for me I had to include it. (It's a thought from Richard Goodman. See the post I wrote on him on 10/19/15.)

Since I’ve studied graphology, I’m interested in handwriting. It does look artistic from many angles, but I know it’s a form of sculpture from the solid callous near the top joint of my middle finger  that formed over years of holding a pen firmly while I inscribed my words into paper. Yes, into paper. I write firmly enough to be able to feel the words on the back of pages when I’m scribbling fast and furiously.

I love to write longhand in my favorite 80-page notebooks with my favorite pens—I favor blue ink in the Bic Cristal 1.6mm pen. (Not a paid endorsement.) It’s inexpensive and fast-writing as my hand tries to keep up with my thoughts—the qualities of a useful pen as recommended by Natalie Goldberg in Writing Down the Bones (page 5). She prefers cheap Schaeffer fountain pens.

The point of being a writer is to write. Before I had any paid assignments, I followed Natalie Goldberg’s advice to fill a notebook a month using fast-writing pens. I wrote about anything and everything to get those pages filled. My ideas and feelings oozed out through my pen mixed with what I had read, heard, and learned along the way. Over time my writing style appeared and shaped my work. I wrote all the time. In short, it’s how I became a writer.

I did this for years while in school, before and after jobs I hated—sometimes during, too—until I started my first magazine staff writing job which I wouldn’t have landed without all the writing practice in notebooks. As I began to write more professionally, I still filled a notebook a month until my writing assignments took up the majority of my time.

Now I spend most of my professional writing time using a keyboard. Writing this way has its charms: easy to do, easy to read, easy to reorganize, easy to delete, and easy to email—which is I why I can work from home.

These are all the reasons I love writing using a keyboard and computer, but I will never give up filling notebooks with my thoughts, ideas, and quotes that appeal to me with attributions because I love the feel of a pen in my hand. I love how intuitive I feel when writing with a pen. I love filling pages with words leaving trails of ink in my unique style.

I also love looking at these notebooks years later. They are proof I have written as opposed to Word docs that were never printed out only emailed to editors to appear in magazine issues. Not only are these pages sculpted by the words I inscribed, but the filled notebooks are also haphazardly-piled colorful sculptures displayed on shelves around my home. I love knowing I’ve created art.